Jaron Lanier writes:
As a young composer I used to use my imagination to take on the identities of musical ideas. Imagine being equal temperament. You would first come to consciousness in China and feel yourself pounded out into the air from giant bells. You would feel the dark beating of your imperfect harmonies like tingles in your toes. Then, with the death of an Emperor, you would fall into a deep sleep, only to awaken centuries later pulsing out of the fingertips and into the ears of a frenetic, sober, workaholic named Bach. You would then feel your body opened up in new ways by a prying cosmic chiropractor-this is how the successive generations of harmonic innovators would feel to you. You would eventually flow out of the Beatles' space age chrome guitar pickups and through the distorting diminutive speakers of pastel plastic Japanese radios.
The Full Monty: at THE REALITY CLUB
Saturday, September 24, 2005
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